Watch
Alex
Ross' appearance on the Colbert Report.
ACD
is not entirely approving;
Iron
Tongue has the discussion.
My public demands ... and I deliver ... more ...
airships!
2 Blowhards supply related links on the evil of government subsidies
for the arts:
Taki
on the decline of music in the last 60 years, and
Paul A.
Cantor on the market's role in producing some of the greatest art
of all time (Shakespeare, Dickens, etc.). Taki's grumblings are less
than completely persuasive, and his commenters are all over the map in
terms of quality. Paul Cantor's lectures at the Mises Institute,
however, are wonderful. His thesis: a free-market environment, with
its competitive pressures and collaborative arrangements, is the best
(or more precisely, least-bad) environment for the development of art.
I tend to agree; in the least, modern government arts subsidies will
find only a narrow subset of all deserving artists.
At this point, let me make a point very clearly so there is no
mistake:
if, by some chance, there happens to be a government
bureaucrat out there on the verge of giving me a huge grant, please
proceed. I'll take money any way I can get it!
Cantor identifies a constant complaint made of all new art forms, a
complaint that can be seen, for example, in Plato's reaction to Greek
tragedy. The complaint has three parts:
The art contains too much of what my friend Steve would
call "sax and violins."
It's addictive.
People caught up in it loose their ability to distinguish reality from
fantasy.
("And he's right!" Cantor says with a laugh.) Cantor makes a
prediction, which would seem fairly tame to anyone connected to tech
culture, that video games will be the dominant art form of the 21st
century, as film was in the 20th. Cantor makes this prediction in the
face of his own antipathy to video games; the strong parallel of
current criticism of video games to previous new art forms, such as
Elizabethan theater and the serial novel, causes him to doubt his own
dislike. I would go a bit farther; I believe video games will be the
dominant art form for the next 40 years maybe; cultural change will
accelerate.
Oh, wait; none of this matters because
we're
all going to
die.
Labels: Airship, Culture