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Monday, January 25, 2010

Chess Tournament Diary

Saturday, 23-Jan-10, 9:20am We enter the school. I'm surprised at the lack of crowds; already this is looking better than last year. I am holding a cane-sugar-sweetened Mexican Coke in a tall bottle of real glass, thus signaling I am not to be triffled with. Der Drübermensch checks in.

9:30am I chat with my friend Daryl. He, his wife, and son are the only people I know here. Soon they are distracted by tournament administration, however, and I am left alone. The first of many stretches of time to kill presents itself. I am not afraid. I am armed with novels, histories, notebooks and music manuscript paper. I know how to kill time. I am the time slayer. I will teach time to fear me.

10:10am Der Drübermensch's first game begins. I walk to the other side of the room. Der Drü has asked me to stay close by in past tournaments, but I see no other parents hovering today. I decide he has probably outgrown it. Also, as this is a local, non-rated tournament in a familiar location, the pressure is less. It is very unlikely I will need to kill a fellow dad out behind the school in a bare-handed contest of family honor at any time today. If I die, I die for points.

10:25am I glance up from the stage at the end of the caffetorium. From across the room I see Der Drü make a move. Did he just capture a queen?

10:40am My optimism was unfounded. Der Drü looses his first game. As is typical at this level, it was a war of attrition. In the end, his army of pawns was no match for an army of pawns plus one rook.

11:10am 2nd game. I think about Light, a novel by M. John Harrison, which I finished reading in the interlude. A literary SF novel; high probability of being my kind of book. Sheesh, what a chore to read. What Terry Teachout would call an eat-your-peas aesthetic experience.

11:35am Der Drü loses the see-saw battle. This is his first game ever that was truly close. His queen and support staff were converging on the enemy king, but his opponent's pieces were similarly deployed. In the end, it felt like Der Drü was simply one move behind. Check-mate on a crowded board.

11:45am Pizza. I try the new Domino's for the first time. They weren't lying. I move their pizza out of the Inedible column, into the Reasonably Good column. As I am loyal to the local company, this feels satisfying.

12:25pm Game 3 begins and the tournament is, incredibly, ahead of schedule. I begin reading René Girard's The Scapegoat. The sudden shift to a sympathetic author is bracing. I do not like you, M. John Harrison / I do not like green eggs and venison. (Note to self: edit out this self-indulgent crap later.)

12:50pm Loss #3. The first frustrating game for Der Drü, since it was played on a tiny board and its unfamiliarity made him overlook a line of vulnerability.

1:15pm Pizza slice #3. This is boredom eating. I run into Daryl; he and I discuss Bay Bucks, Social Credit Theory, and Chestersonian Distributism.

2:35pm Der Drü, on the cusp of his first win! But, what is this? Why won't he capture that knight (his enemy's last powerful piece) and finish the kid off? Why, having promoted a pawn, does he start promoting another? Is he toying with the poor kid?

2:50pm A break, and a dad is subjecting his son to a post-mortem. "What's your move here?" Silence. "Look. At. The. Board." Yikes. And yet, I can sympathize, although I generally confine my yelling to the inside of my head.

3:05pm René Girard's thesis emerges: myths are records of acts of violence against scapegoated outsiders: panics, persecutions & pograms in times of pestilence. Interesting.

3:10pm Round 5—or is it? why is the tournament director ordering all games halted? Where did Der Drü go? Ah, here he comes. All is well. The games begin.

3:18pm The Scapegoat, borrowed via inter-library loan, is marked on every page with notations. Who are these markers, these defiling scribblers in books they don't own? Makes me want to assemble a mob to find these offenders and subject them to some persecution.

3:42pm Game 5 is a chessathon. Der Drü ahead, then behind, then ahead again! Now, nothing but kings and pawns on the board. And just like the ending of that Searching for Bobby Whatshisname movie, Der Drü and the pint-sized Evildoer sitting opposite him are marching pawns down the board. Said pawns arrive in consecutive turns, just like in the movie! No joke. And now, Der Drü extends a hand, graciously offering a draw. That movie, again! Unlike that snotty little fool from the movie, my son's opponent accepts the offer. Stop searching, gentlemen: my son, the new Bobby Fisher, is alive and living in Ann Arbor, Michigan.

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Friday, May 29, 2009

The Church, the Choirister, and the Devil

Star Trek is a religion.  I could have told you that.  I did tell you that.

Diva Dianne is a friend who is just like me; she sings, blogs, and occasionally is heard hangin' out at the Starship Sofa podcast.  Her latest post rants on a topic dear to my heart:
I find it shocking how rarely it is to find a classical singer you can actually understand.  Concern these days is often placed solely on a "beautiful" sound at the expense of nearly everything else.  If singers would pay more attention to vowel quality and intensity many of the inconsistencies and "problems" would melt away.  But many are so busy covering up technical deficiencies they have no idea how to actually remedy them.
Finally, via SF Signal, enjoy this creepy trailer for the new BBC offering, Torchwood:  Children of Earth, although those of us with kids of our own will find no new information here.  If I am allowed one critique of this (truly hair-raising) video, its that it gives too much away.  I think its punch would be most forceful if it would end with the little dears barking their first communal words:  We. We Are. WE ARE COMING!  Yow.



And now, pardon me while I rush home and lock my kids in the basement.

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Monday, July 21, 2008

Jib's Story

My nine year old son, Der Drübermensch, recently discovered the joys of word processors, and was duly inspired to write this work of fiction.  I detect the influence of James Joyce, although I don't think I've noticed that author's works sitting on his shelf.
Jib's story.
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz I'm sleepy. Roar! Here comes the monster. I'm sooooooooooooo bored. Oh, I love your clues megabuck ?
Superior salamanders souped sugar. Lanie licks DJ when fungi show scoops keener mushrooms. Bats ask why. Because you fly! Mommy is a weeping sugar in the little pond. Bats ask why! Because you fly! Later games require wireless systems. Bats ask why! Because you fly! Dad is on his moter bike and driving to the store. Bats ask why! Because you fly!! Peewee saves the world when he is so powerful, and no bad guy can catch him if they try so full! Bats ask why! Because you fly!!! When a kitty is so silly sis goes round the bend. Bats ask why!!! Because you fly!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! GOODBYE!
Is this the influence of Joyce, or more likely, LSD?  Parental malpractice, in either case, I must admit.

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Friday, February 18, 2005

Opus 1, Number 1

First Melody Der Drübermensch had graduated from improviser to composer.  He's been making up melodies on the piano for a while, but now he has done something special:  he played this tune one day, then played it again the next day, exactly the same way.  (Did I mention he's only six?)

Having finished with the exposition, he has now moved on to the development section:  he's playing it in Dorian and Aeolian modes.  I can't wait to find out how he works his way back to the recapitulation.

Ah, the power of the notational tradition in western classical music:  find some beautiful, living object -- and embed it in Lucite for all eternity!  I love it!  These exclamation points signal my irony and ambivalence!  Causing you to wonder what my real point is!

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