See the Music Page for
more information about
my choral compositions.
Friday, October 31, 2008
But the Pope Ain't One
Speaking as a Lutheran, I'm thrilled by the enthusiam shown by the general population in celebrating Reformation Day. (But what's with all the costumes?) In
honor of the day, here's 95 Theses:
A new angle found by SciFi Scanner, and a perfect topic for the Fredösphere: Ancient Christian Paintings
Give Evidence of Space Alien Visitation. It sounded kooky, but then I saw
the painting first cited: The Baptism of Christ by Aert de Gelder. I'm
not sure who, but somebody's phoning home in that painting.
Meanwhile...
My son is enjoying a Boychoir retreat this week, and I was privileged to observe
a special educational demonstration given to the boys by John Churchville, a local
expert in classical Indian drumming. It's amazing what just one hour of explanation
can do to greatly increase one's appreciation of an art form. Hey, here's
an idea: we could introduce music education into the public schools and effect
an explosion in classical music interest among the general population!
Anyway, John's demo was info-packed and conducted with grace, even when the
boys in the front row fidgeted or experienced gastric indiscretions thanks to the
meal of tacos and refried beans consumed just minutes before. Oh, and then
there was the "please back up; I can feel your breath on the back of my hands" moment.
John showed us a video of his teacher, pandit (i.e., pundit, sort of like the Indian equivalent
of a Ph.D.) Swapan Chaudhuri. I found the following video which seems to be
the clearest picture of the master employing the one-handed roll characteristic
of his region's style of drumming. See it for the first time at about 1' 30";
in most videos the hand moves too fast to see that he's flapping the right hand
in a left-to-right movement, using the thumb and forefinger as one "drumstick" and
the other three fingers as the other.
Am I the only person who sees a bit of Harlan Ellison in Chaudhuri's face and posture?
Boychoir conductor Tom Strode mentioned the influence of
Indian Music upon Olivier Messiaen.
If only Messiaen had Youtube, think of how much more he could have achieved!
Although, in that case, we may have had the Messiaenification of the following--which
is too disturbing to contemplate!
My friend Alan sent me a link to a Saint
Paul Sunday show in which Harry Christophers leads The Sixteen (all
eighteen of them) in a concert and discussion of Renaissance and
Baroque music. Any concert that leads off with the Lotti Crucifixus
a 8 and the Tallis If Ye Love Me can't be bad, but the
singing of the Sixteen is so close to perfection, I felt I needed to
pass the link on to you.
The interview portions of the show are conducted in a semi-whisper
which is both amusing and compelling, as if the music and the church
setting placed a holy awe upon those involved. It reminds me of my
college choir director's over-the-top reverence for the Lotti Crucifixus,
which was so extreme he seemed afraid ever to let us perform it in
public, although we rehearsed it every year. A sad case, really, yet
one that made a lasting impression on me. Listening to that piece in a
casual way is impossible for me now.